5 many years in the past, Anthony Watson and Benoît Rauzy acquired a grand 18th-century townhouse overlooking the Rhone River in the village of Vallabrègues in Provence. In the course of the study course of an intensive historic renovation, the pair identified that their spot had as soon as been the headquarters for a rattan enterprise, a single of quite a few in the location devoted to making baskets and furniture. Thanks to its abundance of palm and willow trees and site on the river, the place reeds can be soaked, Vallabrègues, they discovered, was at a person point the greatest basket producer in France.

The increase of synthetics had all but put the nearby craft marketplace out of enterprise when Watson, a British-French stylist, and Rauzy, a water- and electricity-use marketing consultant, came together. In the brief time given that, the two have turn out to be celebrated rattan revivalists. Atelier Vime, the workshop they founded in 2018 with assist from Paris-centered designer Raphäelle Hanley, specializes in advertising primo illustrations of classic rattan as very well as Atelier Vime Éditions, their in depth selection of new models, from pendant lights to curtain pelmets, built by location wicker staff.

More recently Watson and Rauzy were ready to buy the home adjacent to theirs—the two structures were at first aspect of the identical compound. A further preservation-minded overhaul ensued, and the now accomplished villa is home to La Maison Vime, a summertime “art de vivre shop” established up as a house. Browsers get to wander from place to room furnished with an exhilarating blend of new and outdated rattan parts, spot ceramics and glassware, and textbooks, all of which transpire to be sale. Come see.

Photography courtesy of Atelier Vime (for their most recent designs and vintage finds, comply with them on Instagram @ateliervime).

gabriel lampshades are left outside to develop a patina in the sunny courtyard  9
Over: Gabriel lampshades are still left outside to produce a patina in the sunny courtyard of the freshly reattached Atelier Vime constructions: the main residence [left] is wherever Watson and Rauzy live, and the new store and place of work occupy what was unique built as workers’ quarters.

The latter was bought to yet another spouse and children, Watson describes, “after the arrival of plastics, when the company lost its wicker shoppers and went out of business enterprise.” The position hadn’t been touched in 60 several years and expected a year of reworking to improve the plumbing and electrical energy not to point out revive “its Provençal environment.”

watson and rauzy restored original detailing, such as the wood floors, and recr 10
Previously mentioned: Watson and Rauzy restored initial detailing, this kind of as the wooden floors, and recruited Elise Orrier, a professional in pure paints, to lime paint the rooms employing regional pigments. The sitting down space showcases the scalloped Beaucaire daybed/bench, an Atelier Vime Éditions design and style (personalized dimensions offered). It is paired with the rattan and wooden LP1 Table Lamp and a pair of 1960s Wood and Rope Armchairs.
part of the renovation involved opening up blocked doorways. eighteen century g 11
Above: Section of the renovation associated opening up blocked doorways. Eighteen-century Gaspard Robert Manufacture plates from Marseille hang above this one particular. The urn-formed wall gentle is Atelier Vime Éditions’ Medici Sconce.

Pondering about the distinction concerning rattan and wicker? The two are generally utilised interchangeably, but technically rattan is a sort of climbing palm vine, and wicker is the procedure utilised to weave it.

the shop includes a boudoir with a metal canopy bed dressed in antique linens.& 12
Previously mentioned: The store involves a boudoir with a Metal Canopy mattress dressed in antique linens.  the shop includes a boudoir with a metal canopy bed dressed in antique linens.& 13Over: Watson and Rauzy established enfilade rooms on the initially two floors “to have much more viewpoint in the residence.” The reserve space displays their favorite volumes on layout, craft, character, and cooking.

The shades of each individual home are replicas of the originals observed under four layers of wallpaper—peruse @ateliervime to see the process. The Wicker Basket on a pedestal is aspect of Atelier Vime’s signature Medici selection.

in the entrance hall, a collection of \18th century provençal faience and  14
Previously mentioned: In the entrance corridor, a assortment of 18th century Provençal faience and 1960s Biot glassware fills an antique painted cupboard.
Above: “One of the major careers of the renovation was the callade, a pebble courtyard floor,” says Watson. “They’re normal of our area but nobody can make them anymore—it’s a pretty, very long course of action.”
a year ago, while showing the courtyard renovation to american artist wayne pat 16
Earlier mentioned: A 12 months back, whilst showing the courtyard renovation to American artist Wayne Pate, Watson and Rauzy described their admiration for the Picasso mural at nearby Chateau de Castille. “After a number of months, Wayne came back again with this gorgeous challenge motivated by our Medici vase,” writes Watson on Instagram. 
“The realization in terracotta was created by the gifted Sarah Watson of Balineum and her remarkable craftsmen in Italy, and assembled in our cabinetmaker’s workshop.”

A lot more by Pate: see his Painterly Tiles for Balineum and his Material and Wallpaper Impressed by a Year in Paris.

on the table, the eye placemats and atelier vime
Above: On the table, The Eye Placemats and Atelier Vime’s forthcoming Provençal plates and Medici trivet.
atelier vime
Earlier mentioned: Atelier Vime’s mascot, Alma.

The shop is situated at 24 Quai du Rhône, 30300, Vallabrègues, France it’s open Tuesday by Saturday until the conclusion of September.

See Watson and Rauzy’s property in Rattan Revival: New and Vintage Wicker from Atelier Vime.

And here’s a Diy notion with pinecones from their 18th century farmhouse in northwestern France.


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