Designer Jocelyn Chiappone’s clientele have contrasting tastes, so she well balanced that in this dining room design. “The classic piece is the desk, although the chairs have present day appeal,” she states.Greg Premru

In this South Conclude eating room for a young loved ones of 4, Jocelyn Chiappone married the couple’s disparate preferences — she favors classic and he leans modern day — by channeling Artwork Deco fashion. “The regular piece is the desk, when the chairs have contemporary attractiveness,” claims Chiappone, principal of Digs Structure Company. From there, she layered in circa-1920 information, this kind of as the radial patterning of the console, the arcs of the rug, and glamorous hits of brass. The shade plan, which pairs smooth pastels with stark darks, accentuates the outcome.

1 A Patterson Flynn carpet in cream, gray, camel, and blush was the commencing point. “The modern-day scallop sample is playful so we held the rest peaceful and refined,” the designer states.

2 Two various chair variations enliven the ensemble, as do the upholstery pairings. “The angles of the silhouettes are heightened by the contrasting materials,” Chiappone says.

3 The table’s gentle gray, antiqued finish keeps it from emotion significant whilst the information — clipped corners and vertical beading — increase Chiappone’s multilayered solution. “It has some patina, which was purposeful considering the fact that this is in which the family members eats every single working day,” she suggests.

4 The pale environmentally friendly Hwang Bishop ceramic lamps were being handcrafted in Warren, Rhode Island. “The matching china was serendipity,” she suggests. “We uncovered it right after the reality.”

5 A Phillip Jeffries grass-cloth wallcovering with metallic threads brightens the area. “The room is on the floor level so there’s not a large amount of gentle,” Chiappone states. “This is very reflective.”

6 The brass and acrylic chandelier has easy lines but a great deal of flair. “It looks excellent with items in the entry, too,” she suggests. “I believe of lighting as a cohesive relationship in the course of the residence.”

Marni Elyse Katz is a standard contributor to the World Magazine. Deliver responses to [email protected]


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